A new edition of Laura Mulvey's groundbreaking collection of essays, originally published in 1989. in an extensive introduction to this second edition, Mulvey looks back at the historical and personal contests for her famous article "Visual Pleasure and Narrative Cinema, "and reassesses her theories in the light of new technologies.

A new edition of Laura Mulvey's groundbreaking collection of essays, originally published in 1989. in an extensive introduction to this second edition, Mulvey looks back at the historical and personal contests for her famous article "Visual Pleasure and Narrative Cinema, "and reassesses her theories in the light of new technologies.

Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London, UK. She is the author of Death Twenty-four Times a Second: Stillness and the Moving Image (2006), Visual and Other Pleasures (1989; 2009), and the BFI Film Classic onCitizen Kane (1992; 2012).

Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London, UK. She is the author of Death Twenty-four Times a Second: Stillness and the Moving Image (2006), Visual and Other Pleasures (1989; 2009), and the BFI Film Classic onCitizen Kane (1992; 2012).

Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London, UK. She is the author of Death Twenty-four Times a Second: Stillness and the Moving Image (2006), Visual and Other Pleasures (1989; 2009), and the BFI Film Classic onCitizen Kane (1992; 2012).

We spend most of our waking lives at work - in occupations often chosen by our unthinking sixteen-year-old selves. And yet we rarely ask ourselves how we got there or what it might mean for us. Equally intrigued by work's pleasures and its pains, Alain de Botton here heads out into the under-charted worlds of the office, the factory, the fishing fleet and the logistics centre, ...(展开全部)

We spend most of our waking lives at work - in occupations often chosen by our unthinking sixteen-year-old selves. And yet we rarely ask ourselves how we got there or what it might mean for us. Equally intrigued by work's pleasures and its pains, Alain de Botton here heads out into the under-charted worlds of the office, the factory, the fishing fleet and the logistics centre, ...(展开全部)

The sophistication of the photographic process has had two dramatic results—freeing the artist from the confines of journalistic reproductions and freeing the scientist from the unavoidable imprecision of the artist's prints. So released, both have prospered and produced their impressive nineteenth- and twentieth-century outputs. It is this premise that William M. Ivins, Jr., e...(展开全部)

The sophistication of the photographic process has had two dramatic results—freeing the artist from the confines of journalistic reproductions and freeing the scientist from the unavoidable imprecision of the artist's prints. So released, both have prospered and produced their impressive nineteenth- and twentieth-century outputs. It is this premise that William M. Ivins, Jr., e...(展开全部)

约翰尼斯•费边，著名人类学家，曾在美国西北大学、卫斯理学院等多所大学执教，担任波恩大学、科隆大学、巴黎大学的访问学者。退休前任教于荷兰阿姆斯特丹大学，现居德国。他写了很多批评性的著作，《时间与他者》是他的代表作，这本书是人类学领域的经典著作，改变了人类学家“建立研究对象”的方法。